Oh, Hi! (2025) is a bold and unconventional romantic comedy that flips the usual meet-cute formula on its head. What begins as a seemingly sweet getaway between two people exploring a new relationship quickly drifts into unpredictable territory, blending romance with dark humor and psychological tension. The film sets the tone early, inviting the audience to expect more than just laughs, instead offering a sharp take on modern dating and emotional vulnerability. Directed with a playful yet unsettling touch, Oh, Hi! captures the awkwardness, excitement, and hidden fears that often come with intimacy. With witty dialogue, escalating situations, and a premise that constantly subverts expectations, the movie speaks directly to a younger audience familiar with relationship chaos in the age of overthinking and mixed signals. It’s a rom-com that dares to be strange, uncomfortable, and surprisingly thought-provoking.
Overview
Oh, Hi! follows a couple who head out on a quiet weekend retreat, hoping to deepen their connection away from everyday distractions. As they settle into an unfamiliar setting, small moments of intimacy, awkward conversations, and unspoken expectations begin to shape their time together. What appears to be a simple romantic escape slowly reveals layers of emotional uncertainty and mismatched intentions between the two leads.
The film unfolds in a contained space, using escalating situations and sharp exchanges to explore themes of control, trust, and communication in modern relationships. With its mix of romantic comedy elements and darkly comedic twists, Oh, Hi! leans into discomfort and irony rather than traditional sentimentality. The narrative structure allows tension to build naturally, turning an ordinary relationship scenario into something far more unpredictable.
Cast and Crew
Director: Sophie Brooks
Sophie Brooks brings a distinct voice to Oh, Hi!, shaping the film with a balance of awkward humor and emotional tension. Known for her nuanced storytelling, she approaches the rom-com genre with a darker, more contemporary lens. Her direction leans heavily on character behavior, silences, and uncomfortable moments rather than exaggerated comedy. Brooks carefully controls the pacing, allowing situations to escalate naturally. This approach helps the film feel intimate, unpredictable, and sharply observant of modern relationships.
Lead Actor: Logan Lerman
Logan Lerman plays Isaac, a character caught between affection and uncertainty. His performance relies on subtle expressions and restrained reactions, making the character feel grounded and believable. Lerman effectively captures the confusion and quiet panic that surface as the situation spirals out of control. Rather than playing the role broadly, he keeps Isaac emotionally contained, which adds realism. His presence anchors the film and keeps the story emotionally centered even as things turn chaotic.
Lead Actress: Molly Gordon
Molly Gordon stars as Iris, delivering a performance that shifts between charm, vulnerability, and unsettling intensity. She brings emotional complexity to the role, making Iris feel unpredictable yet deeply human. Gordon excels at portraying internal conflict, often saying more through body language than dialogue. Her energy drives the film forward, especially during its most uncomfortable moments. The role allows her to explore both comedic timing and darker emotional beats with confidence.
Supporting Cast
The supporting cast adds texture and contrast to the central relationship. Geraldine Viswanathan, John Reynolds, David Cross, and Polly Draper each bring distinct personalities that expand the film’s emotional landscape. Their characters help reflect different perspectives on love, commitment, and control. Though their screen time is limited, their presence deepens the narrative. Each performance feels purposeful rather than decorative, supporting the film’s themes.
Music Composer: Steven Price
Steven Price’s musical score subtly enhances the film’s shifting tone. Rather than dominating scenes, the music works quietly in the background, reinforcing tension and irony. The score often contrasts light, romantic moments with an underlying sense of unease. This restrained approach allows the emotional weight of scenes to breathe. Price’s composition helps guide the audience’s emotional response without being intrusive.
Production Company
Oh, Hi! is produced by Cliffbrook Films, Watermark Media, and QWGmire, companies known for backing character-driven, indie-style projects. Their involvement is reflected in the film’s intimate scale and focused storytelling. The production favors realism over spectacle, emphasizing performances and dialogue. The minimalist approach suits the story’s confined setting. Overall, the production choices support the film’s offbeat and modern sensibility.
Run Time: 1 Hour 35 Minutes
With a runtime of 1 hour and 35 minutes, the film maintains a tight and controlled structure. The duration allows enough space for character development without overstaying its welcome. Scenes unfold deliberately, letting tension build gradually. There is little filler, keeping the narrative focused and engaging. The runtime complements the film’s contained setting and escalating premise.
Budget and Box Office
Oh, Hi! (2025) was produced as an independent romantic dark comedy, and like many indie releases, its official production budget has not been publicly disclosed. However, based on industry standards, cast profile, limited locations, and festival-backed production scale, the estimated budget is believed to be between $3 million and $8 million. The film relies more on performances, dialogue, and contained storytelling rather than expensive visuals, which supports this moderate indie-budget estimate rather than a large studio investment.
At the box office, Oh, Hi! had a limited theatrical release, which directly influenced its earnings. The film collected approximately $2.08 million in the United States, while its international earnings were minimal at around $5,500, bringing the worldwide box office total to roughly $2.09 million. These numbers reflect its niche appeal and indie distribution strategy, positioning the film more as a festival and streaming-focused project rather than a mass-market theatrical success.
Story
Oh, Hi! begins with two people stepping into a relationship that feels casual on the surface but emotionally loaded underneath. Iris and Isaac decide to spend a weekend together away from their usual surroundings, believing distance will bring clarity and closeness. The early moments are filled with light conversations, small romantic gestures, and an unspoken hope that this time together will define what they mean to each other. Beneath this calm start, however, both characters carry different expectations about intimacy, commitment, and control.
As the weekend unfolds, the story slowly exposes the imbalance between what Iris wants and what Isaac is prepared to give. Simple interactions begin to carry emotional weight, and casual remarks trigger deeper insecurities. The confined setting becomes important, amplifying every silence, glance, and misunderstanding. The narrative carefully shows how affection can blur into pressure when one person seeks reassurance while the other retreats emotionally.
A pivotal turn occurs when a seemingly playful moment crosses an invisible boundary, changing the tone of the story entirely. What starts as flirtation becomes a situation driven by fear of abandonment and the desire to hold onto a connection at any cost. The story explores how love, when mixed with insecurity, can lead to actions that feel justified in the moment but unsettling in reality. Power dynamics quietly shift, revealing how emotional vulnerability can turn into emotional captivity.
In its final stretch, the story focuses on the consequences of miscommunication and unmet emotional needs. The characters are forced to confront the reality of who they are and what they expect from love. Rather than offering easy resolutions, the narrative emphasizes discomfort, honesty, and the fragile line between affection and control. Oh, Hi! ultimately presents a deeply human story about modern relationships, where good intentions collide with emotional immaturity and fear of being alone.
Review
Oh, Hi! takes a familiar romantic setup and twists it into something far more daring and uncomfortable. The film immediately establishes a light, almost breezy tone, only to slowly peel back layers of emotional tension. This contrast keeps the audience engaged, as what initially feels like a simple rom-com gradually transforms into a sharp exploration of intimacy and control. The pacing allows unease to creep in naturally rather than relying on sudden shocks.
Molly Gordon delivers a standout performance, capturing a character driven by vulnerability, desire, and fear of abandonment. Her ability to shift between warmth and intensity makes Iris feel unpredictable yet believable. Logan Lerman complements her well, playing restraint and emotional distance with subtlety. Together, their chemistry feels authentic, which makes the unraveling of their relationship even more gripping to watch.
The direction by Sophie Brooks is confident and deliberate, using confined spaces and lingering silences to heighten tension. Rather than overexplaining emotions, the film trusts expressions, pauses, and body language to communicate conflict. This minimalist approach strengthens the storytelling, allowing viewers to feel the discomfort rather than simply observe it. The tone remains balanced, never fully committing to comedy or darkness, which suits the film’s themes.
Visually, the film maintains a grounded, intimate style that mirrors its character-driven focus. The setting becomes a silent participant in the story, reinforcing the sense of isolation and emotional pressure. Steven Price’s understated score works subtly in the background, enhancing moments of unease without drawing attention to itself. These technical choices keep the film feeling cohesive and emotionally immersive.
What makes Oh, Hi! compelling is its willingness to challenge romantic expectations. It avoids easy moral judgments and instead presents flawed characters making questionable choices. The film invites viewers to reflect on modern dating, emotional dependency, and the fine line between affection and obsession. Its bold tonal shifts and character-focused storytelling make it a memorable entry in contemporary indie cinema.
When Romance Turns Uncomfortably Real
Oh, Hi! stands out for how fearlessly it captures the awkward, often unspoken truths of modern relationships. The film leans into moments people usually avoid discussing—clinginess, emotional imbalance, and the anxiety of not knowing where you stand with someone. By focusing on these raw elements, the story feels disturbingly relatable, especially for younger audiences navigating dating in an era of mixed signals and emotional uncertainty.
What makes the film especially engaging is its tonal confidence. It doesn’t rush to soften its darker moments or wrap emotions in comforting humor. Instead, it allows scenes to breathe, letting discomfort linger long enough to make an impact. This approach gives Oh, Hi! its identity as more than just a quirky rom-com, positioning it as a thoughtful, conversation-starting film about love, boundaries, and emotional honesty.
Conclusion
Oh, Hi! leaves a lasting impression by refusing to follow the predictable path of traditional romantic comedies. Instead, it embraces emotional messiness and moral ambiguity, presenting a story that feels raw and unfiltered. The film’s strength lies in its honesty, showing how easily affection can blur into emotional dependence when communication breaks down.
By the end, the movie encourages reflection rather than resolution. It highlights the importance of emotional boundaries and self-awareness in relationships, especially in modern dating culture. Oh, Hi! may feel uncomfortable at times, but that discomfort is precisely what makes it resonate, turning a simple weekend story into something quietly powerful and thought-provoking.